主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：刘文杰,木幡龙,姜潮,毕晓晨,王紫硕
导演：武健
简介：就在张霄(刘文杰 饰)事业最春风得意时，他的妻子陈心(王紫硕 饰)突然出走，并提出离婚，还传来一张与陌生男子(姜潮 饰)的亲吻合影为证。气愤的张霄想出了一个荒唐的办法：策划一个假绑架！自己再英雄救美，赢得美人心的同时还能给她个教训！他按照照片的定位来到了大连，找到了自称黑帮传人的日本“侠客”—彪桑(木幡龙 饰)，以及已故大力士“力王”的儿子—“大力”(毕晓晨 饰)。三人组成行动团伙，开始了想当然的“半岛行动”。行动中张霄才发现团队的各种不靠谱，经常把自己置于险境，状况不断，各种窘迫！但糟糕的行动中，爱情似乎又泛起了微光……
主演：芭芭拉·赫希
导演：彼特·契尔卡斯基
简介：Guy Maddin writes, Tscherkassky has made two films cannibalizing Sidney J. Furie's 1982 Barbara Hershey horror film THE ENTITY, the story of a woman who is continually assaulted and raped either by real ghosts or by awfully adept repressed traumas… The screen literally explodes with a tumult of Hershey faces, shattering Steve Burum's original cinematography into shards of frightened eyes, trembling hands and violent outbursts of self-defense, presented in multiple exposures too layered to count, too arresting to ignore.
主演：吴静怡,许婉,刘闯,张晔,袁超,籍皓
导演：万晨,夏宇
简介：《鉴爱男女》是由芳草地影视出品，腾讯视频独家播出的轻喜微网剧。故事主要围绕着三位性格迥异的合租密友的日常生活与各自的情感关系而展开，外表可爱、内心狂野、缺爱不可独活的戏精傻白甜小爱（吴静怡饰），年纪不小、心思不少、看似聪明却总被骗的大龄御姐梦露（许婉饰），了解男人更了解女人、自称“鉴渣利器”的毒舌丑萌男闺蜜萌萌（刘闯饰），她们拥有着共同的标签——单身汪！穿插她们在脱单故事中的各类型男友既使得本剧呈现了欢乐轻松的喜剧风格，也生动描绘了全面而又实用的“鉴渣百科全书”。
主演：乌日丽格,魏子翔,肖然心,金浩鹏
导演：林云翔
简介：佳琪的女孩看似乖巧恬静，却拥有与外貌截然相反的野外求生技能。在经历了一系列挫折和磨难后，刘凡发现这一切似乎都是父亲的“阴谋”，而自己的表哥刘资居然是幕后执行者。离开荒岛探寻家族集团幕后的真相成为刘凡的信念，但屡屡失败的尝试一次次将他击溃，陈佳琪则一直守护并支持着他，两人关系迅速升温。
主演：杨馥羽,位林峰,马健一,郝梓萱,张忻恺,张庆庆,李嘉文
导演：孔乔,胡予馨
简介：虽对生活有抱怨，但永远像个小太阳一样，对未来充满憧憬。18岁那年，梅梅在大学里初遇男神徐坤，这场暗恋却因徐坤突然的休学而无疾而终。本以为与男神就此擦肩而过，梅梅却在22岁生日当天再遇徐坤，不想二人遭遇了电梯事故，双双遇难，梅梅却意外获得时间置换的能力，回到了事故之前。然而接下来徐坤不停的遭遇险境，梅梅一次次置换时间，只为让徐坤免于遇难。同时也在闺蜜兼军师丽丽的教导下，开启了“小白兔”拿捏暗恋男神的“开挂”之旅，直到她发现，在这场宿命的轮回中，自己并不是拯救者，而是被救者。徐坤已经默默守护了自己14年……
主演：格雷戈瓦·勒普兰斯-林盖,达尼埃莱·莱布伦,格莱高利·嘉德波瓦,埃默琳·格,Nicolas,Bimont,Guy,Conrad,Nicole,David,Christiane,Guillon,Micheline,Levchin,Jacques,Treiner
导演：奥利维耶·特雷内
简介：阿德里安（Grégoire Leprince-Ringuet 饰）是一个学习钢琴已有15年之久的天才钢琴家，可是在梦寐以求的伯恩斯坦钢琴大赛上他功败垂成，人生跌落谷底。经过一段时间调整，阿德里安重新振作，成为了一名盲人钢琴调音师。事实上他只是带上了隐形眼镜，这会让别人认为他听觉方面更加敏锐，并由此得到更多的同情和消费，甚至还会窥视到别人的生活与隐私，他兀自沉浸在这种虽处闹市又仿佛置身世外的超然之中。某天，他来到一户人家工作，殊不知这里刚刚发生一起凶案……本片荣获2011年卢纹（Leuven）国际电影节最佳短片奖、2012年法国恺撒奖最佳短片奖。
主演：刘良
导演：林海燕
简介：由山东广播电视台出品的人物纪录片《刘良：中国首例新冠肺炎遗体解剖者》讲述了2020年初，在抗击新冠肺炎疫情中一位平凡而又耀眼的英雄——刘良的故事。刘良团队的解剖成果让这场“战疫”有了明确的作战方向。该纪录片题材重大，肩负着“向世界讲好中国抗疫故事”的使命，主角人物刘良自带光环，有家国情怀，使故事看点突出，引人入胜。其中，新冠肺炎遗体标本低温存放，以及纤支镜实验等影像都是首次对外披露。
主演：内详
导演：Uraaz,Bahl
简介：An inspirational survival story of Deepika Kumari who, as a girl born on the roadside to abject poverty in rural India, went in search of food, stumbled upon archery, and within 4 years became the Number One archer in the World.
主演：约翰尼·德普,凯特·温丝莱特
导演：霍华德·豪尔
简介：1973年，人类意外地发现，在完全没有阳光的深海热泉口旁与管虫共生的细菌旺盛地生活着，有些是我们至今所知最古老的物种，意味着这里可能是远古时期生命起源的地方。本片内容将在海怪号以及水螅号两艘潜艇的带领下，深入海底与世隔绝的地方，探访远古时期生命起源的所在。首先潜艇将带领我们下潜600公尺深海域，进入永远处于黑暗中的世界，全程追踪观察地球上最大肉食动物抹香鲸，追捕地球上最大无脊椎动物大王鱿鱼等难得一见的精彩猎食过程。接着潜艇更将带领我们下潜超过1500公尺深的海底，在水温接近冰点及潜艇表面承受压力超过每平方公分218公斤下，惊险进入海底热泉喷口严峻环境处，饱览超热海水由海底裂缝涌出的惊险画面，以及一旁大型管虫、热泉蟹等等颠覆传统思维的生态体系，这些都是世人从未见过的景像。最后，潜艇巧遇抹香鲸追捕大王鱿鱼群，在一阵惊险混乱碰撞中，潜艇船长实时起动自动快速上升情景中，惊险结束刺激的深海潜航之旅程。
主演：文淇,沈梦辰
导演：未知
简介：《这十年》主题系列节目是由国家广电总局网络视听司指导，芒果TV承制的网络视听节目矩阵，节目聚焦党的十八大以来的非凡十年，讲述以习近平同志为核心的党中央，带领人民所书写的新时代精彩故事。据悉，该主题系列节目包含《这十年》微纪录片、《这十年·追光者》综艺节目和晚会等。其中《这十年》微纪录片定档8月1日起每周一、周二1000播出，《这十年·追光者》综艺节目定档8月3日起每周三12：00播出。湖南卫视也将于8月7日起，每周日19：30播出《这十年·追光者》。
主演：泰莎·法米加,朗·里维斯顿,玛茜·T·豪斯,凯蒂·斯图亚特,露露·威尔逊,罗瑞·卡尔金,格雷厄姆·维奇尔,克里斯托弗·赫耶达尔,雅各布·巴特朗,克里斯蒂娜·里奇,维多利亚·嘉丝蒂,科林·福特,埃丽卡·特伦布莱,伊莉莎白·里瑟,沃伦·克里斯蒂,威廉·B·戴维斯,Madeline,Hirvonen
导演：斯科特·贝克,布莱恩·伍兹,李·克罗宁,丹尼尔·歌德哈伯,Catherine,Devaney
简介：Hannah has a past life. A past trauma. And a terrible fear of heights. Now, one late-night call brings her back to where it all began.
主演：瑞秋·布罗斯纳安,阿萨·巴特菲尔德,丹妮·加西亚,凯伦·阿兰,崔维斯·费米尔,亚历克斯·菲茨艾伦,格雷斯顿·霍尔特,朗·里维斯顿,温明娜,约翰·马歇尔·琼斯,约书亚·米克尔,丹·金纳恩,丽莎·钱德勒,布瑞·St·詹姆斯,詹姆斯·兰索恩,埃米丽·汉普希尔,Donavon,Stinson,沃伦·阿伯特,德鲁·雷·坦纳,马基安·塔拉修克,玛茜·T·豪斯,凯蒂·斯图亚特,托德·马斯特斯
导演：山姆·雷米,斯科特·贝克,丹尼尔·歌德哈伯,李·克罗宁
简介：故事取材自科罗拉多、佛罗里达、爱荷华、堪萨斯、密歇根、明尼苏达、密苏里、俄勒冈、华盛顿州的都市传说。山姆·雷米亲自编剧执导单集《金臂》，瑞秋·布罗斯纳安、崔维斯·费米尔主演，讲述男主的妻子有一个纯金手臂，妻子死后丈夫盗墓挖出金手臂，死去的妻子回家复仇；克里斯蒂娜·里奇主演单集《红色朗姆酒》，致敬《闪灵》！《禁入直播》丹尼尔·歌德哈伯执导，伊莎·马齐编剧。此外《寂静之地》编剧斯科特·贝克、《地面之洞》导演李·克罗宁也将各执导一集！
主演：罗兰,陈霁平,雷宇扬
导演：梁剑豪,陈惠兰
简介：TVB的一个电视节目，11个小短剧。主持人：罗兰、陈霁平第一集 死亡通牒嘉宾：雷宇扬演员：陈山聪、 陈永娴 黎宣、周聪、黄天铎、戴耀明、黄嘉乐第二集 报应嘉宾：陈仲谋演员：姚乐怡、黄德斌、丘凯敏、康华第三集 上瘾嘉宾：雷宇扬演员：郭耀明、杨婉仪、廖丽丽第四集 孝道嘉宾：陈云海演员：魏骏杰、简慕华、黎宣第五集 百鬼夜行嘉宾：梁思浩演员：卢庆辉、艾威、郭政鸿、蔡康年、林佩君、 黄佚潼第六集 玩过界嘉宾：魏骏杰 蔡康年演员：黄宗泽、邓汝超、陈凯怡、林小湛、马小灵第七集 鬼大佬嘉宾：曹宏威演员：黎彼得、马蹄露、郭卓桦、罗君左第八集 玩唔断戏嘉宾：蔡子健演员：韦家雄、莫家荛、刘绰琪、陈荣峻、 黄天铎 张智轩、凌礼文、周凯珊、 黎秀英第九集 讨债儿嘉宾：林以诺牧师演员：卢宛茵、林其欣、陈泳娴第十集 口舌招...
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